During my first year of my course I was given a brief to produce a photo book based on the theme "Modern Times".
I wanted to express a theory that I have
involving people having their photograph taken. In generally people tend to act
different around cameras or want to be seen as a certain type of person or to
have a certain emotion that does not portray how they actually look or feel. A
fake surface is sometime screated. An example would be holiday photographs. We
all love to smile in holiday photographs even if we are not happy because, when
we look back at that memory we think we were happy and remember it as a happy
time. It also helps to justify the money spent and the time away as a good
decision made. I want to capture natural photographs of people in public and I
feel the only way to do this is to take portrait shots without people knowing
they are being photographed. In theory I will not capture many people smiling
but in their own emotions and thoughts. Framing of the heads of the subjects
leaving room above the head for their thoughts and emotions to remain.
The idea was greatly influenced by the work
of Philip Lorca Dicorcia, in particular the book “Heads” which features
portraits of people in Times Square, New York being photographed by a flash
without them realizing creating a very cinematic feel but natural emotions. This
lead me onto the book “Tokyo Compression” by Michael Wolf which focused on the
crammed Tokyo subways where people are transported like cattle with such little
room their faces are pressed against the carriage windows with no room to
escape from the camera. This inspired me to photograph everyday people in
everyday situation but with natural emotions.
As I will be taking my photographs from a
long distance from my subject without them realizing it was important to use a
zoom lens. I did not use a tripod, as I would be easier to see from a distance.
A lot of images were captured, as I wanted to almost capture particular
emotions or more unusual shots of somebody in the middle of yawning or calling
for a taxi for example.
Once I had captured all of the images I
needed I had a little trouble with sequencing my book as the images are all
very similarly composed with very similar exposures and lighting I felt like
the images could work in many different orders well. I decided to base my
sequencing on the colours of clothes and dominating colour in the background to
slowly move from different similar colours instead of people. The idea of the
people being random is almost part of the concept.
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